12 July 2010
Unlike most equipment which needs a break-in period to hear their properties, the Big Feet showed their qualities immediately.
It wasn’t the so-called removal of veils heard with many other tweaks, but a tightening of the image such that individual instruments and voices became more focused, and the soundstage took on more feeling of space.
I’ve tried innumerable feet, supports, racks, etc., over the years to control ground and airborne vibration, and probably have close to 100 different feet in a container in the basement. None of them come close to what these do to control chassis vibration.
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